The Curmudgeon

YOU'LL COME FOR THE CURSES. YOU'LL STAY FOR THE MUDGEONRY.

Friday, January 14, 2005

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Controversial film-maker Rocky Oliver has defended his controversial decision to include the events of 11 September 2001, when America was attacked by terrorists, in his controversial new film adaptation of Ayn Rand's The Fountainhead.

Mr Oliver is no stranger to controversy. His first film, about US "support" for "death squads" in Central America, is not much seen these days, but he rose to prominence with the controversial Vietnam: A Boy's Own Story, in which good and evil platoon sergeants battle for a young recruit's soul in a hellish landscape of violence and demonic faceless gooks.

The film garnered considerable controversy for its criticism of the traumatic effects on the United States of the Vietnam War, although it also garnered considerable controversy for its affirmation of the cathartic effects on the United States of the Vietnam War.

The Corporation, Mr Oliver's follow-up film, was equally controversial, featuring a young businessman whose soul is the prize in a battle between good and evil capitalists. The story takes place in a hellish landscape of inhuman greed and troubled parental relationships, and the film garnered considerable controversy.

Mr Oliver has also made controversial films about several US presidents and the historical epic Vlad the Impaler, which caused some controversy over its apparent criticism of American tactics in the war on Islamofascism, despite its apparent affirmation of American aims in the war on Islamofascism.

Mr Oliver's controversial new film, The Fountainhead, is the story of a visionary architect whose greatest work is destroyed in the terrorist attack of 11 September 2001, and who must struggle to rebuild his masterpiece despite his soul being torn between good and evil mentors and a troubled parental relationship.

The film has garnered controversy for being insufficiently condemnatory of the attack on America on 11 September 2001, and also for displaying excessive violence in the climactic scenes where airliners are crashed into two giant tower blocks.

"I don't think my film says anything against America," Mr Oliver said today.

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